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Smooth Jazz. Definitely a great springtime listen.Finally, there is an Adderley-penned tune on this album, but it isn’t Cannonball’s. Eventually, Cannonball was brought in to join the Miles Davis Sextet, which he played with for two years. He wanted a higher education. Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and …
His work has appeared in Word Riot, various games for Aegis Studios, and Brain Scan Comics.Adderley was a fun-loving guy who liked the audience to have a good time, but he was also a thought-provoking artist and he addressed that with every genre that he played in. With his irrepressible charm, he established an “amusing and educational rapport with his audience, often-times explaining what he and his musicians were about to play” (hear him do so before launching into his popular 1966 soul jazz single “Mercy, Mercy, Mercy,” below. We find the free courses and audio books you need, the language lessons & educational videos you want, and plenty of enlightenment in between.Jazz has always had big personalities. Nat steps up to close out side one with “Jubilation,” an up-tempo song featuring solos by both brothers as well as pianist Junior Mance.“Waltz for Debby” and “Who Cares?” are reason enough to give this album a listen, the latter of which brings in some of that Cannonball joviality.The sextet charges along in a blur of solos and frantic chords. The standout tracks being the freewheeling “Never Will I Marry” and the haunting “The Old Country.”CJ Hurtt is a record nerd and writer who lives in a remote fishing village in the Pacific Northwest. Ca. He and his brother Nat had played with Ray Charles in the 1940s. Selected discography. Saxophonist. I would actually rank Sextet in New York as an album as necessary as Somethin’ Else. ... Blue Note Records. Broadway compositions by Porter, Gershwin, Sondheim, more. Composition of Joe Zawinul.
As the track moves along, it shifts gears and we’re hit with both bass and drum solos. While full of danceable numbers, Cannonball’s solos here are adventurous and confident. Nothin' But the Blues. This is classic Cannonball; always up for a good time, but never forgetting that jazz is also an art. The clarinetist has recorded with Billy Cobham on CBS, Julian Cannonball Adderley on the Capital and Fantasy record labels, and with Freddie Hubbard in London for Black Saint. Apart from Cannonball on alto the sextet included the versatile Yusef Lateef(tenor saxophone, flute, oboe), Nat Adderley(cornet), Joe Zawinul(piano), Sam Jones(bass) & Louis Hayes(drums).