Image not available. The last time I priced a box of 4×5 Provia 100f at a retailer locally, it was priced at around A$200. Sell now - Have one to sell? Likewise, choosing the film that complements the type of photography you specialize in will produce images with higher quality. If you have one of Kodaks large format cameras, 4x5 sheet film is an essential step in producing quality images. It should also be noted that, although readily apparent, the differences in colour rendition between the two films are not great and could easily be altered during scanning and post production.The most obvious and expected difference between the two films is the colour rendition. Provia is unique among current production transparency films, with outstanding reciprocity characteristics. In general, Fujichrome films know for a degree magenta/red cast although in Provia it is moderate compared to Velvia 50 and 100.In Australia, colour transparency sheet film has long been disproportionately expensive compared to other markets.
Given the exchange rate at the time, the cost per sheet was double.Ektachrome’s colour rendition will certainly please many photographers who find the Fujichrome emulsions too “warm”. Free shipping . Kodak Vintage Movie and Photogra...Showing slide {CURRENT_SLIDE} of {TOTAL_SLIDES} - Make an OfferIf you have one of Kodaks large format cameras, 4x5 sheet film is an essential step in producing quality images. In contrast, Provia handles push processing 1 stop with very well with very minimal change to the tonality and colour balance of the film.Currently in Australia, a 10 sheet box of 4×5” Ektachrome retails for $70-80 which is comparable to the price in other markets. This is considerably cheaper per sheet than a 20 sheet box of any of the Fujichrome films which you would most likely have to source via mail order.On the lightbox, Ektachrome is cooler across the spectrum but also more neutral. 1972 - 4164 Thick - SEALED Kodak Professional Ektachrome 64T Film Tungsten unopened Box of 50 4 x 5 inch $199.00 No exposure compensation required for exposures up to 2 minutes and only an additional 1/3 stop up to 8 minutes.During testing I was able to shoot exposures up to nearly 2 minutes. Kodak’s data sheet for Ektachrome E100 suggests that no compensation is required for exposures of up to 10 secs, and in practice I found that to be accurate.Beyond that there is currently no official recommendation for reciprocity correction but I did find that Ektachrome does require additional compensation for exposures longer than 10 seconds. This was certainly a good staring point but for exposures between 20 and 40 seconds I found that adding ½ stop gave me a better results. Have one to sell?