For a lot of people though, based on comments and conversation I see online, it most definitely is.You might think a film designed for shooting portraits and weddings and the like would be a bit sterile for street photography.
Very glad to hear it. Thanks!Ah you are well versed in many stocks! I've shot B&W exclusively with my 6x6 medium format camera (T-Max 400), but this article has me wanting to try out some Portra 400Would you mind explaining P400? I’ve tried (and failed) to shoot it late in the evening with only artificial light. This is a box of 6 bottles which you mix together to make up three solutions – developer, blix and stabilizer. The Massive Dev Chart is the world's largest source of processing times for developing black & white film.
It’s just much easier for me.Above is a photo of my film to be developed. Laser Light Show [Mamiya RZ67 Pro | 110mm 2.8 | Kodak Portra 400] This also came in Types S and L.When you’re shooting your Portra 400, be aware that it’s one of the most forgiving films out there as far as exposure latitude goes.
Thanks ! I’m always testing/ experimenting in search of the ‘ultimate’ camera!I’m so used to developing black and white film I always seem to think that somehow colour film developing will be so complicated and difficult.
Thank you. Rain Time by fs999 (CC BY-NC-ND 2.0) Mordor by シ－クボント - Sieg Bond Country Link Extra Info; US: www.bhphotovideo.com: 35mm: JP: www.japanexposures.com: 4x5: US: www.bhphotovideo.com: 120: Add a Link. Gold 200 also bore the name Kodacolor at that time. I tend to have a cold house for the rest of the year (and save money on utility bills so I can buy more cameras!
Continually updated, the chart has been online since 1995 and contains both manufacturer's published times and user submissions. And even if you do, it doesn’t have to be Kodak Portra 400. Contrary to popular belief, I am not an AI.I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). I am a hard-core HC110 user as well. I have remained with Ilford as I develop at home and am weary of developing color negatives, but these images may give me an impetus to challenge myself! Ive tried both Illfords and Kodaks 3200 films, but somehow always turned out far too grainy to be usable..Nice! He fell back in love with film years ago while living in Charleston, SC and hasn't looked back since. If you want a more traditional grain style I would very much recommend HP5. It also includes C41 black and white film, Ilford XP2 Super. In the past I have left film hanging there for days (open to the elements)(dust) until I have time to scan it. All data is curated using multiple source verification and actual user feedback. It’s the benefits.It’s the same attributes that make it good for both groups; the flexibility, the reliability, and the consistency it brings with its image quality and qualities.Kodak Portra 400 is an ISO 400, daylight-balanced colour negative film that’s available in 35mm, 120, and large formats too. Use the hashtag #parallaxshootskodakportra400 on Instagram to get involved. What developer are you using?A lovely write up on a wonderful film. The only reason they wouldn’t is that they’ve sold out. An unopened boxes of film developing chemicals last ages to my knowledge. The cleanness, sharpness, contrast, and muted colours just work.Back in 1949, Kodak produced a colour negative film called Ektacolor which came in Type A and Type B versions, for daylight and artificial light situations respectively.Kodak Portra 400 is a pretty new film; especially when you consider how long Kodak as a brand has been around. Which is a shame, because it does give fantastic results, in my opinion.Fear not, though. 1 roll of 120 or 2 rolls of 35mm can be developed in a 2 reel tank).Leica Blog & Film Camera Reviews (Matt Osborne)Epson V800 flat bed scanner preview.