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Once connected, the Timecode generator can then be used with further GH5S cameras or professional camcorders.4K capture remains the same as the GH5 at 60/50p at 8bit and 30/25/24p at 10bit.If the GH5S is for video then you might think that the GH5 should, therefore, be for stills; but it’s not, that’s where the G9 comes into the game.This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5.Initially, looking at the footage, you’ll be hit by how flat and washed out video looks, but a lot like raw files with stills, the output from this mode is designed to be enhanced during grading, ensuring that the footage captured contains the maximum information available for the scene. This system is called Dual IS2.V-Log L is Panasonic’s Log gamma curve. Because the sensor is slightly bigger than the area covered by the lens, it is possible to change the aspect ratio (4:3, 16:9 etc.) Here Panasonic follows suit with the GH5S aimed at videographers.The GH series has made its mark in the video world with its compact form, expandability and feature set.Panasonic is not the first camera manufacturer to release an S version, or even two different versions, of the same model.The change in the sensor from the GH5 to GH5S means that although the basics of the camera are very similar, the video and stills output from the two models is very different.These circuits deal separately with the low ISO and noise before the data is fed through the gain amplifier. One significant addition is the inclusion of V-Log L pre-installed.Jabber Digital Media Ltd. - 4 Beau Street, Bath, BA1 1QY. Although this can be useful, it can at the same time be the complete and utter hindrance. Your personal data won't be recorded until the form has been submitted successfully.

These values are possible thanks to the larger pixels on the sensor and the Dual Native ISO of the camera.Both cameras use Panasonic’s Depth from Defocus AF system which works with contrast detection but offers a faster speed that traditional contrast based systems. That’s less than a year ago and it was followed a major firmware update in September 2017. It has been a long-running argument, but then the consensus is that a balance needs to be struck between resolution and pixel size.This drop in resolution might seem strange, but this is exactly what Sony did with the Alpha 7S. Stills will be captured by the GH5S at half the resolution of the GH5 due to the drop in pixel count, but this drop should improve video performance and low light ability. The GH5 has built on the reputation of the GH4 as a solid hybrid stills and video camera. There is no low pass filter to maximise sharpness. This means it doesn’t need to amplify the gain as much as the GH5 would.Perhaps the most important aspect to consider is the GH5s’ improved ISO sensitivity range, as it solves – or at least minimises – a problem that Micro Four Thirds has always faced, which is low light performance. while maintaining the same diagonal angle of view.The two cameras can record anamorphic footage in 4K up to 60p and have the 4K Photo features up to 60p as well.Well, on the outside, very little has changed. The GH5S on the other hand can record both 4K and C4K at 50/60p.The GH5s is more expensive starting at $2500 / £2200 / €2550 for the body alone. And now there’s the GH5S.With the GH5S, the flash sync terminal can be used for Timecode syncing, and a coaxial cable for a BNC terminal will be included in the box. It’s also crucial if you’re mixing footage shot from different cameras as it acts as a base profile. Panasonic's GH5s mirrorless camera sets a new standard for mirrorless video. For this reason, it also remains a valid choice for professional video work.Also included are the AF-C Custom Settings that allow you to fine-tune the AF behaviour on both products.Following in the footsteps of previous Lumix cameras like the GH2 and LX100, the GH5S uses the multi aspect ratio format. We also had the chance to briefly record an ISO test with the new camera at a press event and the results at high ISOs were indeed very good, with usable footage up to 12800 ISO.The GH5s has its fair share of new technology in comparison to the GH5 but there is one important feature it is missing: 5-axis stabilisation.Following the GH5 (the hybrid still/video solution) and the G9 (the sports and wildlife model), Panasonic has now come out with the GH5s and as you might expect, this third flagship focuses entirely on video.The GH5s has timecode in and out that works via the flash sync port (a cable is provided) which means you can genlock it with broadcast cameras.