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The album was released on April 13, 2004 ( 2004-04-13 ) via Concord Jazz label.
Albümleri. But from the first recording of this band, everything just clicked perfectly.”Apart from their own playing, many of jazz’s greatest figures—Duke Ellington, Charles Mingus, Miles Davis—are also known for the handful of indisputably great bands they led throughout their careers. “If anything, we have evolved as an ensemble—which is the dream of every band leader.”Thanks for helping to support Mack Avenue Artists!A popular phrase in years past was “Life Begins at 60,” but Gary Burton—as he has done so often throughout his career—is rewriting the book on retirement. I listened to Abe Laboriel (bass) before and this is his best performance from what I have heard. Featuring the prodigal guitar genius Julian Lage as well as two veterans, bassist Scott Colley and drummer Antonio Sanchez, Guided Tour provides a road map to one of the most dynamic bands on the scene today.“It’s the difference between playing with some excellent musicians, and finding a group chemistry that goes beyond that—a coming together of ‘sympatico’ creative minds,” says Burton. My favorite tune is "Coral" (composed by Keith Jarrett), is a …
Gary Burton is a jazz vibraphone player, composer and arranger.Gary Burton was born on January 23, 1943 in Anderson, USA.In 1960 he performed in Nashville with the country music ensemble. Throughout his career, Burton has “paid it forward,” introducing other precocious young artists to the jazz world—Larry Coryell, Pat Metheny, Donny McCaslin, Makoto Ozone—and Lage, who made his first recording with Burton in 2004 at the age of 15, has continued as the next recruit to that echelon. In “The Lookout,” he cleverly recasts “Careful,” written by the influential guitarist Jim Hall (and one that Burton has recorded, with Hall himself, in the past). Lage further develops as a front-line collaborator on this new album, able to match the virtuosity of Burton himself.A popular phrase in years past was “Life Begins at 60,” but Gary Burton—as he has done so often throughout his career—is rewriting the book on retirement.What’s more, Burton—a famously reticent composer, who has always relied primarily on others’ compositions for his repertoire—contributed two new songs of his own.
On “Sunday’s Uncle,” we find Lage playing what Burton calls “one of his own devilishly challenging melody themes with apparent ease, in counterpoint to my own part—which is considerably less difficult I’m happy to say”—before easing into a particularly memorably solo. And Burton’s “Remembering Tano” pays tribute to his “tango mentor,” the master composer and bandoneon player Astor Piazzolla (nicknamed “Tano,” for his Italian heritage); their 1986 collaboration The New Tango opened up a fresh avenue of world-music exploration for the vibist.Two songs from outside the band complete the set list: the stately Michel Legrand ballad “Once Upon A Summertime” and pianist Fred Hersch’s “Jackalope,” written (mostly) in 7/4 time and delightfully unpredictable in its phrasing.Three pieces from Lage demonstrate the unusually mature sense of composition that also marks his solos.
“In my five decades of playing in various bands, mostly my own groups, I have only experienced this a handful of times; if even one player is not an equal part of the combination, it doesn't achieve that magical state.